Below is a complete sample report generated from a real K-HTP analysis. Once you sign up and upload a drawing, you'll receive results in this very same format.
House, tree, and person are tightly integrated into a single scene. The composition is weighted toward the right (the house), and the life unfolding inside the house is rendered in fine detail, foregrounding "life within the home" as the central theme. The lines are steady and firm, and the pressure is moderate, conveying a stable sense of control. According to the subject's own report, the attic garden is "a place to go up and rest whenever I want," the two figures in the living room are "Dad and my younger sibling," and the figure playing with the dog is "myself," so the relational meaning within the scene is clear. Overall, warm indoor interactions (hugging, playing, resting) coexist with a personal restorative space (the attic garden), revealing both family intimacy and a self-regulation strategy.
Large and shifted to the right, emphasizing that the center of life lies in the home.
The cross-sectional (x-ray) depiction reveals rooms, furniture, and figures' activities in detail, suggesting a need to structure and organize, and to make daily life visible.
Double doors (without handles), numerous windows, and solid walls together may imply a selective openness: "I control the boundary, but I show clearly what I choose to show."
The attic garden and resting space form a personal sanctuary placed in the upper region (the realm of the ideal / recovery), connecting to the subject's self-restoration strategy.
A thick, straight trunk standing at the far left, with a large cloud-shaped crown rendered in a simplified way.
Detail is sparse, but the size and the steadiness of the lines can function as a symbol of "fundamentals / a support pillar."
The absence of roots and fruit reads less as a marker of a specific life stage or productivity, and more as something left as "background stability."
All figures are located "inside" the house. The subject plays with the dog in a room, the two figures in the living room are Dad and the sibling (hugging + TV), and in the attic someone lies down watching TV.
Every face is smiling, and the concise line work compresses a positive emotional tone.
The figures are appropriately sized relative to their rooms, but small relative to the house, so the representation of individual influence against the family system (the house) may appear modest, or oriented toward the system first.
1) The relationship map revealed by distance and placement
A shared ground line: the house and tree are joined on a single ground line, suggesting that "the home (house)" and "growth/resources (the tree)" stand on the same foundation. Because the base of daily life and the resources for growth are adjacent rather than separated, this can be read as a tendency to pursue growth from within a stable foundation.
The placement of people: all the figures exist only indoors. There is no direct contact with the outside (the tree); outer nature is instead drawn "inside" the attic (an indoor garden), reconfigured into a controllable form. This may suggest a tendency to pursue recovery and growth within a safe space (the home), and to process interpersonal and environmental contact first within an "internalized space."
Distance between rooms: in the living room, Dad and the sibling form a bond of hugging and shared feeling, while the subject connects with the pet dog in a separate room. "Same house, different rooms" may reflect a balance between psychological belonging and individuality (together, yet with differentiated roles).
2) Size ratios and the perception of importance
House largest, people small: the ratio "system (home) > individual" suggests that the stability, structure, and rules of the family unit are seen as very important, or that household matters carry the greatest weight in the current phase of life. At the same time, the individual (person) is drawn plainly, which can be interpreted as a humble self-representation, or an attitude focused on fulfilling a role within the system.
Tree mid-to-large: growth and recovery are valued, but appear placed in second priority after the family system. Instead of intricate detail, a "thick trunk" is emphasized, reflecting a value system that prefers sturdiness and steadfastness over flamboyance.
3) Vertical placement and the hierarchy of ideal vs. reality
The attic (upper) garden and rest: because the subject explicitly stated it is "a place to go up and rest anytime," the upper region is the domain of the ideal, recovery, and private needs. This suggests a self-regulation strategy of going up into a "thinking, imagining, quiet personal space" to recharge under stress.
Lower-level (living room / bedroom) activity: reality-based bonds (Dad and the sibling hugging, the subject playing with the pet) take place warmly on the lower floor. That is, the lower floor holds realistic belonging and everyday emotion, while the upper floor holds personal recovery and the pursuit of the ideal — a structure in which a "dual circuit (real-world bonds + upper-level recovery)" operates.
4) Left-right placement and the flow of time and disposition
The house's center-to-right shift: a future-oriented, extroverted facet is implied, but the extroversion is exercised "within the family context." With the sun in the upper right, optimism and vitality about the future are added.
The tree's left placement: implies support and roots drawn from the past / one's foundation. The straight, thick trunk may act like a pillar that symbolically upholds "internally consolidated standards" or "the strength of family tradition / foundation."
5) Connection and boundary: paths, doors, windows
Absence of a path: there is no "clear passage" in and out, and the door handles are also omitted. This may suggest a psychology of not rushing outside access/movement and of keeping boundary control in one's own hands ("I decide the timing of coming and going"). Or it may simply have been omitted out of a focus on the indoor scene.
Numerous windows: there are many "channels that show" the inner world. That is, rather than being fully closed, it is a mode of openness that selectively reveals inner life to the outside. In a Korean cultural context, this aligns with the attitude of "sharing the family's warmth, while keeping the house's rules and boundaries clear."
6) Direction of gaze/action and relational dynamics
Hugging (Dad and sibling) and smiles: suggests that affection and support within the home are a core emotional resource. Rather than conversation, the emotion of "being together" — physical closeness (hugging) and joint activity (watching TV) — is emphasized.
The subject playing with the pet: the subject is shown gaining stability and enjoyment through interaction with an animal, which may suggest a tendency to replenish energy in safe, low-judgment relationships. It is a middle ground — securing a separate room within the family, yet not fully isolated.
The attic rester: solitary rest on the upper level suggests an autonomous need for recovery and a healthy use of psychological distancing.
7) Distribution of detail and sense of control
House = high detail, people/tree = low detail: this may reflect a strong interest in structuring the environment (the system) and a need for control. It could be a way of handling anxiety (structuring, planning), or simply a preference for "designing and decorating spaces." The self-representation (person), by contrast, is plain, giving the impression of placing weight on role-fulfillment and emotional tone (smiles) rather than on display.
8) Emotional climate and energy
The bright sun, the overall smiles, and the firm lines of moderate pressure show a combination of "warmth, optimism, and stable self-assertion." Signs of excessive tension (overly heavy impressions, severe erasing) are few, and an emotional climate of "finding comfort within a well-run home" prevails.
9) Alternative interpretations and contextual considerations
The absence of handles and a path may be symbolic, but it may be an omission stemming from a focus on the indoor scene.
The simplification of the tree may also reflect a time limit or a stylistic preference.
The large house may be the result of drawing the "current focus of attention (the home)" large, rather than overcompensation. Conversely, the house also tends to expand when the burden of family roles feels heavy, so interpretation must take the whole life context into account.
10) Synthesis
The spatial relationships form a three-axis structure: "a stable family-centered nest (house) + a foundation on the left (tree) + a restorative space above (attic)." The interpersonal dynamics can be summarized as a balance of warm bonds (Dad and sibling), self-regulation (subject with pet / attic), selective openness (windows), and boundary control (absence of doors and paths). This also corresponds with the family-centered values of Korean culture. If, depending on the situation, the subject gradually experiments with stepping outward (building a path), they could expand their range of activity while preserving already-solid internal resources (family bonds, a personal recovery space).
This analysis is an AI-based reference material and does not replace professional psychological counseling.
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